Kremos: The Lost Art of Niso Ramponi, Vols. (Above: a scene from a Ramponi-animated Carosello commercial cartoon, c.1960s)
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In addition to his teaching, he worked for the next couple of decades in television on a wide variety of projects, winning top industry awards for his animation on some of Italy’s most popular TV programs, such as Carosello in 1972. In short order, Ramponi’s appearances in Il Travaso became infrequent and eventually stopped altogether in 1963.īut Ramponi certainly didn’t stop producing work. But the workload must have swamped even Ramponi’s seemingly Herculean capacities when he accepted an offer in 1962 to teach animation at the Scuola della Vasca Navale. Yet on top of those assignments, Ramponi kept working on animated features. counterparts - was rarely seen outside of his homeland until the publication of the two Lost Art Books devoted to preserving his work.īy the late 1950s and into the 1960s, Ramponi’s popularity had reached a point where he was now also creating most of the covers for Il Travaso, which allowed him to stretch into other media, painting with a sensuous verve that sacrificed none of the fun of his ink drawings. collectors of 1950s men’s magazines such as Jest, Gaze, or Gee-Whiz will find the occasional Kremos or Niso-signed cartoon within those pages.įor the most part, though, Ramponi’s work - while every bit as accomplished if not superior to his U.S. In the mid-1950s, however, after a dispute with another artist who tried to lay legal claim to the name Kremos, Ramponi abandoned the handle and began to sign his work simply by his first name, Niso. To maintain the ruse, Ramponi signed his work Kremos, a pseudonym that stuck even after his discharge from military duty. Loath to abandon his budding cartooning and illustration career but barred by military regulations from working as a freelancer, Ramponi conspired with a friend named Sandro Cremo, who acted as his intermediary to secure and deliver freelance art assignments on Ramponi’s behalf. Ramponi’s pen name, Kremos, was born of necessity: Like many of his generation, after the war Ramponi was conscripted into the Italian army for a year of service.